Radio Drama on Ayrshire Online Radio
Starting Monday 2nd May at 10pm
Week 1 Monday 2nd May 10pm
Para Handy Pension Funds
Jill Korn The Escort
The Price of Fear With Vincent Price An Eye for an Eye
Week 2 Monday 9th May 10pm
Para Handy Para Handys Wedding
Jill Korn Confessional
The Price of Fear With Vincent Price William and Mary
Week 3 Monday 16th May 10pm
Para Handy A stroke of Luck
Kenny Burnham A Journey around my Room
The Price of Fear With Vincent Price Specialty of the House
Week 4 Monday 23rd May 10pm
Para Handy Phantom horse and cart
Jill Korn Sea Change
The Price of Fear With Vincent Price Come as you are
Week 5 Monday 30th May 10pm
Para Handy Wee Teenie
Jill Korn Collaboration
The Price of Fear With Vincent Price The Man Who Hated Scenes Guest Star Peter Cushing
Week 1 Monday 2nd May 10pm
Para Handy Pension Funds
Jill Korn The Escort
The Price of Fear With Vincent Price An Eye for an Eye
Week 2 Monday 9th May 10pm
Para Handy Para Handys Wedding
Jill Korn Confessional
The Price of Fear With Vincent Price William and Mary
Week 3 Monday 16th May 10pm
Para Handy A stroke of Luck
Kenny Burnham A Journey around my Room
The Price of Fear With Vincent Price Specialty of the House
Week 4 Monday 23rd May 10pm
Para Handy Phantom horse and cart
Jill Korn Sea Change
The Price of Fear With Vincent Price Come as you are
Week 5 Monday 30th May 10pm
Para Handy Wee Teenie
Jill Korn Collaboration
The Price of Fear With Vincent Price The Man Who Hated Scenes Guest Star Peter Cushing
NEW & CLASSIC RADIO THEATRE
KENNETH BURNHAM
A Journey Around My Room A story of contemplation, friendship and survival in an age of turmoil. A French nobleman’s plans for a grand expedition to America are abandoned upon finding himself confined to his own quarters. Selecting a mode of travel, Xavier embarks upon a journey around his room where he makes a great many discoveries. |
JILL KORN Is no stranger to Ayrshire Online Radio and has been on air a few times with her dramas.
The making of a radio play or audio drama begins in a studio of some kind. There are mics, screens and all manner of technical stuff around which I don’t even begin to understand. There is a script, which I hope will work as I intended and there are actors who make it work better than I intended. So far, so good. But the real magic has only worked if the listener is transported to an island seashore, a Parisian brothel or a medieval prison cell. That’s the job of the producer, my partner in crime. Making a radio play is pure deception, and I love it.
The making of a radio play or audio drama begins in a studio of some kind. There are mics, screens and all manner of technical stuff around which I don’t even begin to understand. There is a script, which I hope will work as I intended and there are actors who make it work better than I intended. So far, so good. But the real magic has only worked if the listener is transported to an island seashore, a Parisian brothel or a medieval prison cell. That’s the job of the producer, my partner in crime. Making a radio play is pure deception, and I love it.